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The healthy edit : creative editing techniques for perfecting your movie

표제/저자사항
The healthy edit : creative editing techniques for perfecting your movie / John Rosenberg ; illustrated by Michael Rosenberg
Rosenberg, John   Rosenberg, Michael   
판사항
Second edition
발행사항
New York : Routledge, Taylor & Francis Group, 2018
형태사항
xxiii, 334 pages : illustrations ; 27 cm
주기사항
Includes index
표준번호/부호
ISBN 9781138233799 (hbk)
ISBN 113823379X (hbk)
ISBN 9781138233805 (pbk)
ISBN 1138233803 (pbk)
ISBN 9781315297576 (ebk)
ISBN 1315297574 (ebk)
분류기호
듀이십진분류법-> 777.55
주제명
Motion pictures -- Editing    Motion pictures -- Production and direction
내용유형
text
매체유형
unmediated
수록매체유형
volume

권별정보

권별정보 목록
편/권차 편제 저작자 발행년도 ISBN 청구기호 자료이용하는곳 자료상태
John Rosenberg ;illustrated by Michael Rosenberg 2018 9781138233799 (hbk) W777.55-18-1 보존 서고 신청후이용(보존)
CONTENTS
Foreword = xv
Acknowledgments = xvii
Introduction = xix
1 Prescriptions for Success = 1
  The Film Doctor = 1
    Strong Medicine = 2
    The Editor = 3
  Principles of Filmic Medicine = 4
    Cardiology = 4
    Genetics = 5
    Anatomy = 5
    Psychiatry = 6
    Surgery = 6
    Instruments = 8
    Bedside Manner = 8
2 Mastering the Art of Film Editing = 9
  Heart of the Matter = 9
  The Scalpel = 10
  Why Edit? = 11
    The Great Experiment of Dr. Kuleshov = 11
  Dynamic and Continuity Editing = 13
  The Rules = 15
    Match Action = 15
    Cut on Action = 15
    Let the Camera Settle Before Cutting = 15
    Create Visual Bridges = 16
    Don't Cross the Line = 17
    Maintain Eyelines = 18
    Vary the Cuts = 18
    Cuts Should Be Motivated = 18
    Allow Clean Entrances and Exits = 18
    Pay Attention to Physical Continuity = 19
    Respect the Rule of Three = 19
3 The Film Doctor Is In = 21
  The Profession = 21
  The Approach = 22
    What Is the Scene About? = 23
    Filling the Gaps = 24
    What Does the Audience Learn From This Scene? = 28
    Attention Deficit = 29
    Further Diagnosis = 31
    Wrestling With Material = 31
  When Poisons Are Medicines, Accidents Are Intentions = 32
  Gestation of the Cut = 34
4 The Instruments = 37
  Linear and Nonlinear Editing Systems = 37
    In Praise of the Physical Body = 37
  An Editor's Tools = 39
    Medieval Medicine : The Moviola = 39
    European Renaissance : The Flatbed = 42
    The Modern Revolution : Nonlinear = 44
    Early Electronic Systems = 45
    The Mouse That Roared = 48
  The Edit = 49
    The Frame Matters = 50
    One-Stop Shopping = 54
    You Must Remember This = 56
5 Internal Medicine = 59
  Coverage = 59
    The Master Shot = 60
    The Establishing Shot = 60
    The Wide Shot = 61
    The Medium Shot = 62
    The Close-Up = 62
    The Over-the-Shoulder Shot = 63
    The 2-Shot = 63
    The Reverse Angle = 64
    The Insert Shot = 64
  From Chaos to Order = 66
    Finding Order = 68
    Story Order = 71
    Reducing Bloat = 73
  The Gap = 75
    Examinations = 75
    The Puzzle = 76
    Saved in the Editing Room = 76
  Shot List = 78
6 Alternative Medicine = 83
  Nontraditional Treatments = 83
    The Match Cut = 83
    Continuity Errors = 85
    The Goodies = 87
    Off-Camera and Off-Track = 89
7 A Brief History of the Practice = 93
  Sharp Objects = 93
    Tincture of Time = 98
    Tarantino and Time = 99
    Montage = 100
    The Jump Cut = 104
    "Look Out, Haskell, It's Real" = 109
    MTV = 110
8 Genre Editing Styles Ⅰ = 115
  Expectations Posed by Genre = 115
    Conventions = 115
    Crossing Genres = 116
    The Ritual Object = 117
    Expectations = 118
  The Western Rides Into the Sunset = 119
  Science Fiction and Fantasy = 120
    Visual Effects = 120
    Computer-Generated Images = 123
    Compositing = 124
    Motion Capture = 125
    Visual Effects as Film Doctor = 128
9 Genre Editing Styles Ⅱ = 131
  The Comedy = 131
    Surf the Laughter = 135
    Sight Gags = 135
  Romantic Comedy = 136
  Family Matters = 136
  Action Adventure = 139
    Guideposts = 140
    Crank = 143
    Emphasizing an Action = 145
10 Genre Editing Styles Ⅲ = 149
  The Horror Film = 149
    Blood Suckers = 152
  The Thriller and Mystery = 152
  Family Films = 154
  The Documentary = 155
    Playing With Blocks = 156
    The Auteur Editor = 160
  Television and Genre = 161
11 Surgery = 165
  What Goes and What Stays = 165
    Practical Considerations = 166
    Trimming for Health = 168
  The Lift = 171
    The Way of the Lift = 174
    Lift and Separate...or Not = 174
12 Psychiatry of Character Disorders - Part Ⅰ = 177
  Dialogue = 177
  Subtext = 178
    The Overlap = 181
    Exposition Infection = 184
    Show, Don't Tell = 184
  New Territory = 185
13 Psychiatry of Character Disorders - Part Ⅱ = 187
  Performance = 187
    Tracking the Beats = 187
    Substitution = 188
    The Cutaway = 190
    Words Like Skin Tags = 191
    Improvisation = 191
    Bingeing = 191
    In Good Shape = 194
14 Genetics = 197
  Story Problems Inherent in the Screenplay = 197
    Inherited Traits = 197
    Evolution = 199
    Romeo&Juliet = 199
  The Montage = 203
  A Telling Story = 205
    Information = 206
15 Cardiac Unit = 209
  Pace and Rhythm : The Editor's Unique Tools = 209
    Visual Music = 210
    Pick Up the Pace = 213
    The Power of Pace = 213
    Anticipation = 214
    Overstated = 216
  The Heart of the Matter = 217
    Rhythm Is Life = 218
    The Graduate = 220
    Finding the Flow = 222
    The Battleship Eisenstein = 224
  The Intercut = 224
  Scene-to-Scene Transitions = 227
16 Rites of Passage = 229
  Transitions = 229
    Blacking Out = 235
  Shot Size = 235
  Contrast = 237
  Titles = 238
  The Flashback = 239
  Sound = 242
    The Pre-Lap = 242
    "Back to One" = 243
    Narration = 244
17 Imaging = 247
  K vs. mm = 248
  From Taxidermy to Taxonomy = 249
  Less Painful Extractions = 249
18 Audiology = 253
  Ambience = 257
  Microsurgery = 259
  Music Editing = 266
19 Bedside Manner = 273
  Politics of the Editing Room = 273
    Bedside Manner = 273
    No Surprises = 274
    Screening the Rough Cut = 274
    The Best Policy = 274
    All Ears = 275
    Staying Seated = 277
  Dailies and Rough Cuts = 277
    The Answer Is Yes = 278
    The Poor Craftsman = 278
    What's the Big Deal? = 279
    The Strength of Weak Ties = 281
    Committing to a Project = 281
    Film Doctoring = 283
20 Triage = 285
  Emergency Procedures = 285
    Two Weeks = 286
    Symptoms = 286
    Audio Issues = 288
  Video Ills = 290
21 Post-Mortem = 295
  From Final Cut to Exhibition = 295
    Made in Heaven = 297
    Affairs of the Heart = 298
  Reediting = 299
    The Free-for-All = 300
  The End Is Near = 302
  After the Hard Labor : Delivery = 303
  The End Backward = 306
  Glossary = 309
Index = 323

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